christian dior h-line 1954 | dior h line christian dior h-line 1954 In comparison with other examples from this line, this piece was a pre-cursor of the H line which was shown in the fall / winter of 1954. In the H line, the whole torso was outlined (the fitted jacket without a line cutting the waist) and was then mounted onto the flared full skirt.
30 Montaigne. The House’s historic, beating heart, 30 Avenue Montaigne is the birthplace of Dior style icons. The emblematic address now lends its name to a new bag: the 30 Montaigne Avenue. An exemplary reflection of Dior’s elegance, this exceptional accessory is distinguished by the “30 Montaigne” signature embossed on the back, as .
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Oyster, 31 mm, Oystersteel, yellow gold and diamonds. Bezel. Domed, set with diamonds. Water resistance. Waterproof to 100 metres / 330 feet. Manufacture movement. Perpetual, mechanical, self-winding. Caliber. 2236, Manufacture Rolex. Power Reserve. Approximately 55 hours. Bracelet. Jubilee, five-piece links. Dial. Olive green set with diamonds.Datejust 31. Oyster, 31 mm, Oystersteel and yellow gold. Reference 278273. View variations. Make a date of a day. This Oyster Perpetual Datejust 31 in Oystersteel and .
h line christian dior
This ensemble, designed for the Haute Couture Fall-Winter 1954 collection, was later used in the Christian Dior London collections. The name given to the design is purely evocative as .Zaire dress, Autumn-Winter 1954 collection, H line. A rare photograph of Christian Dior's dress
dior h line
In comparison with other examples from this line, this piece was a pre-cursor of the H line which was shown in the fall / winter of 1954. In the H line, the whole torso was .
This ensemble, designed for the Haute Couture Fall-Winter 1954 collection, was later used in the Christian Dior London collections. The name given to the design is purely evocative as Christian Dior never visited the island.
Zaire dress, Autumn-Winter 1954 collection, H line. A rare photograph of Christian Dior's dress
In comparison with other examples from this line, this piece was a pre-cursor of the H line which was shown in the fall / winter of 1954. In the H line, the whole torso was outlined (the fitted jacket without a line cutting the waist) and was then mounted onto the flared full skirt.
This dress comes from Christian Dior's (1905-57) H-Line collection of autumn/winter 1954-55. The H-Line was one of Dior’s most controversial silhouettes, and the press debated whether it should stand for ‘Heavenly’ or ‘Horrid’. “Worrisome rumors about what Dior was up to. a supremely un-American attempt to eliminate the female bosom and shove fashion back to the shapeless flapper mold of the ’20s.” Oh no, not the 1920s! In 1954 that must have felt like the 90s threatening to bring back flares.
LONDON, October 6.—Christian Dior came to London and defended his new H-line before the biggest crowd of critics he has faced since launching the new shape.
dior fashion history
The H-Line was one of the silhouettes introduced by Christian Dior, premiered for his Fall/Winter Haute Couture collection in 1954. The garments were shaped in a straight line, as the letter ‘H’ implies, with an accent on the waist – the bar of the ‘H’ .Cuba, Haute Couture Fall-Winter 1954, H line. Roger Vivier. Conference at la Sorbonne, 1955. This famous photograph by Willy Maywald with model Renée wearing the Bar suit (Spring-Summer 1947 Haute Couture collection) was taken on the occasion of a lecture given by Christian Dior at the Sorbonne in 1955. Death of Christian Dior. 1958.1954 was the year of Dior's H-Line, also known as 'the runner bean' line for its straight, flat silhouette. This skirt, although not couture, reflects that same linear cut. ProductionDesign House: House of Dior (French, founded 1946) Designer: Christian Dior (French, Granville 1905–1957 Montecatini) Date: fall/winter 1954–55. Culture: French. Medium: silk, metallic thread, sequins. Credit Line: Gift of Mrs. Byron C. Foy, 1957. Accession Number: C.I.57.29.3
This ensemble, designed for the Haute Couture Fall-Winter 1954 collection, was later used in the Christian Dior London collections. The name given to the design is purely evocative as Christian Dior never visited the island.Zaire dress, Autumn-Winter 1954 collection, H line. A rare photograph of Christian Dior's dress In comparison with other examples from this line, this piece was a pre-cursor of the H line which was shown in the fall / winter of 1954. In the H line, the whole torso was outlined (the fitted jacket without a line cutting the waist) and was then mounted onto the flared full skirt.
This dress comes from Christian Dior's (1905-57) H-Line collection of autumn/winter 1954-55. The H-Line was one of Dior’s most controversial silhouettes, and the press debated whether it should stand for ‘Heavenly’ or ‘Horrid’.
“Worrisome rumors about what Dior was up to. a supremely un-American attempt to eliminate the female bosom and shove fashion back to the shapeless flapper mold of the ’20s.” Oh no, not the 1920s! In 1954 that must have felt like the 90s threatening to bring back flares.
LONDON, October 6.—Christian Dior came to London and defended his new H-line before the biggest crowd of critics he has faced since launching the new shape. The H-Line was one of the silhouettes introduced by Christian Dior, premiered for his Fall/Winter Haute Couture collection in 1954. The garments were shaped in a straight line, as the letter ‘H’ implies, with an accent on the waist – the bar of the ‘H’ .Cuba, Haute Couture Fall-Winter 1954, H line. Roger Vivier. Conference at la Sorbonne, 1955. This famous photograph by Willy Maywald with model Renée wearing the Bar suit (Spring-Summer 1947 Haute Couture collection) was taken on the occasion of a lecture given by Christian Dior at the Sorbonne in 1955. Death of Christian Dior. 1958.1954 was the year of Dior's H-Line, also known as 'the runner bean' line for its straight, flat silhouette. This skirt, although not couture, reflects that same linear cut. Production
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christian dior h-line 1954|dior h line
